Sailor’s Knot As useless as a car wash in the rain- storm, my body stands in the shower without its brain. What I mean to say is my head hurts. What I mean to say is some days I throw up heartache. Orange flecks, curled caterpillar bodies, flop against the toilet seat. I was too slow to reach the porcelain. I was too slow to raise my hand, declare myself present. Who am I, if not the ghoul you pretend not to hear through your satin pillowcase? I have always been last, and not, I suspect, in the way the Lord intended. My name, impossible to pronounce, rhymes with “last call.” It is possible to be blind in love and to be hungover at your own wedding. If St. Peter cards us at the door, you’re screwed for loving me. The late-heat fireflies bob outside the window like drunken ships. Or maybe they’re the light- house, hazy, calling the last meal to shore. O, sailor! o, siren! tie me or take me! Crush my skull against thunderclouds and sink me with expired treasure. Indenture me. Give me a rope and I’ll craft the most perfect noose these glittering Atlantic starfish have ever seen.
When the world ended, Golden shovel after Emily Dickinson we couldn’t find our passports. I looked in the sandbox, in the shed—I heard them crying out under the bed, maybe, like a child sick from nightmares. One fly sticking to the window. We remembered the buzz of a Sunday hangover, spiraling nights with friends when we could afford such luxuries. Now I am sober and the bars have died. Bombs sounded across the globe, ethereal creatures breaking the stillness of heat. We couldn’t find our passports in dusty attics or kitchen drawers or the gas tank filled with fumes. Not in the lived-in room. The recycling bin came up empty. The dog was playing dead, as always, like a corpse ballooned under a street lamp moon, the mailman never sure what to say. The dog’s stillness the first warning sign we missed. What is the cataclysm in this life? When does a marriage become the cutting board of two strangers? The air conditioning sang timidly between our arguments and ultimatums. The vows we’d exchanged caught under our tongues, heaving resentment, maybe. My mouth of diamonds. Your mouth of storm.
From the Author: The poems “Sailor’s Knot” and “When the world ended,” take an imaginative approach to alcoholism, marriage, and apocalypse. My work attempts to understand addiction through exaggerated or surreal imagery and impossible situations. I owe the form of “When the world ended,” to the poet Terrance Hayes, who invented the golden shovel (a form in which the poet borrows language from a different poet to pay them homage; in my case, I borrow language from Emily Dickinson’s “I heard a Fly buzz”).
Remi Recchia is a trans poet and essayist from Kalamazoo, Michigan. He is a Ph.D. candidate in English-Creative Writing at Oklahoma State University. He currently serves as an associate editor for the Cimarron Review. A four-time Pushcart Prize nominee, Remi’s work has appeared or will soon appear in Best New Poets 2021, Columbia Online Journal, Harpur Palate, and Juked, among others. He holds an MFA in poetry from Bowling Green State University. Remi is the author of Quicksand/Stargazing (Cooper Dillon Books, 2021); his chapbook, Sober, is forthcoming with Red Bird Chapbooks.