black hole sonnet
my love, the astronaut atop the steel comet
flings herself into what could be called but isn’t
death, she thinks, since it is eating her, it should chew
and make of her some sound, instead she is made
a witness, a camera stuck on the stick of time
and what terrible ululation scrapes its throat
all the common logic says she would not hear it
she mucks into its ground instead, stays her steady
melt, and always, almost silence shimmies near her
line dance to the end of the hall and back and back
the weird canopy alight with last night’s Tuesday
wonder if gasping would impress it, decide not.
matter is as matter does, there’s nothing to see
but unremarked coordinates, her grave undone
black hole sonnet
she becomes like a mouth does to eat things that are beloved, tongue twisted beyond language and stitched to a syllable, matter that sinks faster than a boat, a boast is a vessel for containment she knew not to send herself in one, the riggings give or ferment a grief that cuts the world in two dancers know a word for that, doors too when they swing and miss, she’s a great shot, the fragile aim of her body into the pit, sirens wail like sisters crying, tears stall in yearly orbit and never reach her, don’t you know, nothing will find her again [pause to imagine endless distances in time] oh how lonely! to get everyone else’s mail to watch rivers and rivers sweep time away
Norah Brady is a moon enthusiast from Boston, MA. Her poetry and short fiction can be found in COUNTERCLOCK, Dishsoap Quarterly, Violet Indigo Blue Etc, and Blue Marble Review. She currently lives in Hattingen, Germany.