You’ll Never Leave Harlan Alive
When my Grandpa Tom died
in the coal mines, crushed between
two untrammeled carts, did he think
I’ll never again be touched by a woman?
Did he feel, as a cart full of sooty coal
shoved his cock into his stomach, I hope
my offspring fuck so hard that they pee
sideways? Did he groan and wail? Did he cry out
Make love, ye children of mine, while you can?
Did he hope for us a life of forceful,
fussy orgasm? Ammons said if you can
get laid, get laid, and I’ve taken it
too much to heart, my mortality
with its rhythmic,
headboard quality.
I can’t help him, or you. I sing Tom’s song
from the bluest hills: I am a hillbilly hoe,
a backwoods throat goat. I’ll hitchhike
right into your heart. Was Tom’s belly
as flour soft as mine? Were his lips Fanta red
before they turned blue? What would he think
of the Plan B I took that didn’t take? Of the son
I named for him? I won’t be like those old
bucket-wheels sitting ceremonial outside
the empty mines. My pickaxe
still swings at the dead wall. I’ll shovel
coal into your mouth as if
it were money. I’ll let you think I’d die
for you as you’re crushed between
these two untrammeled carts I call my heart.
Heirloom
the only photo you have of your daddy
is his expired Georgia driver’s license,
and now they went
and burned him up in an oven
along with all your chances.
inside the single-wide
where he died,
he had a picture of you at sixteen
and you don’t know how
he got it since he hadn’t seen you since
before puberty. in that picture
you sure don’t look pretty.
but he knew your mama
was pretty in 1983
and everybody’s always saying to hold
two aspirin between your knees
just like your mama didn’t do.
what legacy. she’s still a girl
steering his old cadillac
with one hand, newborn in the other.
some men can only be left
when they’re sleeping.
did you hear about that family
who owned
the funeral home? how they threw
corpses in the river?
they returned the urns to next of kin
filled with dirt. no one
teaches you
how to make a living.
Jess Smith is the author of Lady Smith (University of Akron Press, 2025). Originally from Georgia, she is currently an Assistant Professor of Practice at Texas Tech University. Her work can be found in Prairie Schooner, Waxwing, 32 Poems, The Rumpus, and other journals. She received her MFA from The New School and is the recipient of support from the Sewanee Writers’ Conference and the Vermont Studio Center.